Postcard Image

Postcard Image
As the Victorian era passed into the Edwardian and Roaring Twenties, a market developed for bisque and china bawdy novelties and figurines of women in revealing outfits. Although now most of these figurines seem more coy and cute than ribald and risque, in their time they symbolized the casting off of the perceived restraints of the Victorian era.

These little lovelies included bathing beauties, who came clad in swimsuits of real lace or in stylish painted beach wear, as well as mermaids, harem ladies, and nudies, who were meant to wear nothing more than an engaging smile. Also produced were flippers, innocent appearing figurines who reveal a bawdy secret when flipped over, and squirters, figurines that were meant to squirt water out of an appropriate orifice.

Most were manufactured in Germany from the late 1800s through the 1930s, often showing remarkable artistry and imagination, with Japan entering the market during World War I.

Thursday, November 20, 2014

A Very Special Edition

This smiling and scantily clad sultry sultana perched on a powder box is marked underneath in red “Editions Etling Paris” inside an inverted triangle.  In 1909, Edmond Laurent Etling opened his specialty store in Paris at No. 29 Rue de Paradis, offering the most exquisite and exclusive objects d'art of bronze, ceramic, and glass.  The shop was stocked with the creations of the leaders in the French modern art movement, including Dimitri Chiparus, A. Godard, Claire-Jean Roberte Colinet, Lucille Sevin, Jean Theodore Delabassé, Gazan, Georges Béal, Maurice Guiraud-Rivière and Marcel Guillard.  Etling's elegant editions spearheaded a style that would become known as art deco.  After Paris fell to the Germans during World War II, the store was closed and Etling, who was Jewish, was sent to a concentration camp and his death.

Of excellent china and beautifully painted in brilliant colors, this 8 inch tall box is the epitome of the art deco objects offered by Etling. On back of box lid is “A Godard” painted in fancy black script and the bottom of box is also marked "France" and with a dark red circle containing the letters “S,” “E,” “G, and “B.”




Thursday, November 6, 2014

Queen of Hearts

This pretty perfume bottle features a flirty flapper wearing her heart on her sleeve--well, not exactly on her sleeve, but she is certainly letting her sentiments be known.  Of good china, this 5 inch tall figural perfume bottle is incised on her base with the Carl Schneider mark and “DEP 15750 Germany.”  She holds a large heart, with a crown top, that would have once held some sweet scent.


Thursday, October 30, 2014

Diminutive Deco Damsels

This pretty pair of precolored bisque swimmers is unusual, not because of their pose, but because they are nearly pristine, with both their cold painted features and colorful cloth bathing suits intact.    Their fetching and fashionable swimwear is patterned with bold art deco designs, beribboned with bright little bows.  Just 2.75 inches long, these tiny twins look very much as they did when they left Hertwig and Company nearly a century ago.  Too often these little flappers are now found nude and denuded of their painted features.  These two bathing beauties show how Hertwig made even some of its most common bisque belles eye-catching and alluring. 



Thursday, October 16, 2014

A Perfect Combination


The vast majority of all-bisque dolls are children, so this early all-bisque lady is very unusual, especially as she was modeled with molded underwear (but still manages to look very prim and proper).  Although her combination underwear resembles that worn by the fashion ladies by Galluba and Hofmann, she is more Victorian than Edwardian.  Combination underwear was introduced in the 1870s to reduce bulk under the fitted jackets and narrower upper silhouette of the period.  Combinations were worn through the Edwardian period, becoming frothier and sheerer, often inset with delicate and ribbons, and the cuffs climbing closer to the knees as hemlines began to rise.  By the 1920s, the combination was reduced to the flapper's brief "step-in" chemise or teddy.  This combination set, with its short sleeves, modest neckline, and longer legs, would date this demure matron to the late 1800s.  She is of excellent sharp bisque and is delicately painted and beautifully modeled.  Her mohair wig is a replacement and she is 4.75 inches tall.


Thursday, October 2, 2014

Tell Me Pretty Maiden. . . .

My last post featured a bisque figurine of  a chorus line of the Five Barrison Sisters by Hutschenreuther Porzellanfabrik.  This post is of another line of lovely ladies by Hutschenreuther, the six pretty maidens known as the Florodora Girls. 
 
 
Florodora was a musical that opened in London in 1899, where it became an immediate success.  It was even more successful when it "crossed the pond" and played in New York City, in part because of its famed Florodora Girls.  Called the "English Girls" in the script, the six charming chorines were soon dubbed the Florodora Girls.  This line of lissome lasses is 7.5 inches long and is faintly stamped underneath with the Hutschenreuther mark.
 
Below is the picture of  the famed Florodoras in the flesh, rather than bisque, that undoubtedly inspired the figurine.  During the long run of the show, over 70 women would be selected as a Florodora, each being a standard 5 feet 4 inches tall and weighing around 130 pounds.  Their appearance with a sextet of handsome young men in the song "Tell Me Pretty Maiden" made the tune a popular hit of the time.
 
 
The pretty maidens attracted a swarm of stage door Johnnies.  It is claimed that they all married millionaires, and while it is true that a number of the Florodoras did marry into money, the story  of the most famous Florodora Girl shows that money does not always buy happiness.  Evelyn Nesbit was 14 years old when she was discovered working in Wanamaker's department store in Philadelphia and offered a job as an artist's model.  She became one of the most popular and recognized models in Philadelphia, and later, New York City, posing for such famous artists as Charles Dana Gibson, the creator of the Gibson girl.  In 1901, her beauty won her a place as one of the Florodora Girls and launched her stage career.  It also brought her to the attention of famed architect, and renowned roué, Stanford White.  The 47-year-old White assumed the role of Nesbit's "protector," moving her, her widowed mother, and younger brother into an opulent hotel suite he decorated himself and arranging for her brother to attend a prestigious military school.  In truth, White's interest in the young teenage Nesbit was more predatory than protective, and one evening, after being plied with champagne, Nesbit lost consciousness, only to wake up naked in White's bed.  However, White continued to play Nesbit's benefactor, introducing her to many in New York high society.
 
 
Nesbit's beauty attracted other admirers, including Harry Kendall Thaw, heir to a $40 million coal and railroad fortune.  Thaw was mentally unstable and had a history of brutality and sexual sadism, but he was also very rich, and after being ardently pursued for four years by Thaw, Nesbit, who was always worried about falling back into poverty, married him in 1905.  Thaw made Nesbit repeatedly tell him about White's treatment of her.  Although a frequent patron of brothels and prostitutes, Thaw had a fixation on female virginity and became obsessed with redressing his wife's honor.  On June 25, 1906, Thaw shot and killed White while both men were attending the theater.  After two trials, during which Nesbit had to testify in sordid detail regarding her relationship with White, Thaw was declared not guilty by reason of insanity and sent to an asylum.  Thanks to his family's wealth and influence, Thaw was found sane and released in 1915, but the next year, after he was arrested for sexually assaulting and brutally beating a 19-year-old man, Thaw was again found to be insane and committed, though he would eventually be released.  Nesbit divorced Thaw in 1915 and continued to have a modest career in vaudeville and movies, but her fame as the "fatal beauty" would follow her through her life.
 
 
 
 


Friday, September 19, 2014

More Barrisons in Bisque

Previously on this blog, I posted about this bisque version of those naughty, bawdy, blonde, and buxom Barrison Sisters made by the German company of H. Hutschenreuther Porzellanfabrik (the figurine, not the sisters, although if tales of the time are correct, these maidens were most certainly on the make).


Hutschenreuther was certainly "inspired" (a nice way of saying that the sisters probably didn't see a cent from this use of their image) by this publicity photo of the infamous five in costume for the stage, each playfully holding an elegant lorgnette.


Although only featuring four femmes, rather than five, this 7 inch tall bisque figurine also undoubtedly sought to cash in on the sisters' vast, but brief, popularity in the 1890s.  Marked only with a freehand "16" in black under the base, the figurine is  of far finer in quality than the Hutschenreuther piece.  Who made this beautiful bisque tribute to the Barrisons is a mystery, as is the whereabouts of the missing fifth sister.  Perhaps she had to go and attend to her pussy.






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Thursday, September 4, 2014

Taking a Seat

Most bathing beauties recline, some sit on the ground, and a smaller percentage are made to stand.  Very few are molded in a sitting position because this would mean that the manufacturer or jobber would have to go through the extra expense of providing these little ladies a suitable seat.   The ever creative and thrifty Hertwig and Company solved this problem by using natural seashells, manufactured already by Mother Nature.  This little precolored bisque belle perches on a real shell.  She wears her original bathing suit and cap and is just 2.75 inches high, not counting her conch couch.  


Here she appears in the Hertwig catalogue.  As can be seen in the catalogue picture, Miss Shell, my belle, has lost the rayon ribbon trim that formed the suit's straps, as well as a little decorative bow on her left knee.   


Two larger versions of sirens seated on shells.  The catalogue refers to them as "Badedame auf echter Muschel" (bathing lady on a real shell).


Here is one of these larger ladies, sans shell, but comfortably seated in a wonderful little woven beach chair.  The cushion under her seat, which could have served to hold pins, has been hand painted with  the words "1,000 Islands."  Perhaps this was a souvenir from a visit to the archipelago of scenic islands where the Saint Lawrence River meets Lake Ontario (certainly a much more romantic notion than an advertisement for a popular salad dressing).  Also of precolored bisque, she retains her original swimsuit, complete with ribbons, and is approximately 3 inches tall.